
I wonder if the large shot of Hawkeye was flipped by accident. If he was facing the other way, then the reader's eye could travel from Hawkeye, along the arrow, and that would almost naturally lead the eye to that panel in the right corner. I don't have any proof that's the case, but I've seen panels like that in other books, where things look like they were reversed*.
I do think it might have worked better if the shot of Hawkeye spanned the bottom half of only one page, and the flight path of the arrow took up the lower half of the other page. As it stands, we have this shot of Hawkeye with the bow drawn back powerfully, and the flight of the arrow is this small panel, almost weak. Like a Roadrunner cartoon, where the Coyote tries to launch himself with a bow, and it looks like it'll be some powerful shot, and it duds somehow. His face hits the bow, the bow falls over, or he just doesn't go anywhere. In the story, Hawkeye's making a pretty good shot, but I'm not sure the way things are laid out really conveys it.
* My main example was from BKV and Kyle Hotz' The Hood mini-series. Near the end a character had a briefcase of money in her left hand, a gun in the right. In the panel where she's killed, they've switched hands. There's no background to tell anything by, so I've always wondered if Hotz drew it, and it somehow was flipped in the printing or copying, or something.
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