Showing posts with label paul kupperberg. Show all posts
Showing posts with label paul kupperberg. Show all posts

Saturday, January 13, 2024

Saturday Splash Page #107

"Denial," in Supergirl (vol. 2) #21, by Paul Kupperberg (writer), Eduardo Barreto (artist), Gene D'Angelo (colorist), Milton Snapinn (letterer)

I've got just this one issue of Supergirl's second self-titled solo book. I don't remember how it came into my possession. My best guess is in some random grab-bag of comics I picked up at a grocery store or something like that, but it may have been part of a gift from a family member that just knew I liked comics.

This issue is essentially the second part of a story that started in Superman. Supergirl follows some alien spacecraft to Metropolis and finds Superman tangling with the Kryptonite Man. His people species lived on Krypton long before, and were in hibernation when the planet blew up. The mountain he was in was thrown clear and turned to Kryptonite, which his body fed on. He thinks the later Kryptonians made the planet explode, so he wants to kill Superman. Supergirl's basically a throw-in, since he didn't know she existed until she gets involved.

There's also some mysterious group of aliens after the K-Man for stealing one of their ships, and they've booby-trapped it to kill him. They talk of themselves as some big wheel, the unknown movers and shakers in the galaxy, but they're played as a bunch of losers. Their played as indifferent to the lives of anyone other than themselves, to I guess make the K-Man look a little better in comparison.

I don't guess it's representative of the book as a whole, given no members of Supergirl's supporting cast appear, nor are there any updates or even allusions to any subplots going on in the book at the time. Of course, the book ended 2 issues later. Then Supergirl was killed off in Crisis on the Infinite Earths. Then DC decided they wanted to go back to Superman being the only Kryptonian, so no cousin that also survived (no Kryptonite Man either, presumably, unless you count Metallo.) That didn't mean they were satisfied keeping the concept out of circulation. . .

Sunday, April 19, 2020

Sunday Splash Page #110

"Oh Look, a Fight Between Two Characters Nobody Cares About," in Checkmate (vol. 1) #16, by Paul Kupperberg (writer), Rick Hoberg (penciller), Al Vey (inker), Julianna Ferriter (colorist), Gaspar (letterer)

I own three issues of the 1980s version of Checkmate (and none of Greg Rucka's early mid-2000s version, before you ask). All three are part of the Janus Directive, the crossover that ran between a bunch of the vaguely espionage-themed books DC had going for a few months. Checkmate, Suicide Squad, Manhunter (and did I see Bendis brought back Mark Shaw as some crazy cult leader? Jesus Christ), as well as Firestorm and Captain Atom, for some reason or another.

Well, Captain Atom is generally related to the military, and Ostrander was writing Firestorm at the time, so maybe that's reason enough.

Honestly, Janus Directive is kind of a mess. By design, since the whole thing is Kobra pitting all the various intelligence/national security groups against each other. Everybody keeps running around attacking each other constantly. This issue picked up after Checkmate attacked General Eiling. He sends Major Force after them, at the same time they're attacking Belle Reve to get at Waller. The Squad goes after Checkmate later about that. It's hard to keep track of whose on which side or who they're attacking from one minute to the next.

Checkmate appears to be "espionage" in the '80s superhero comic book sense. Everyone still runs around in brightly colored outfits. At least it's more visually interesting than dark suits or generically "realistic" outfits.