Those comics I ordered finally showed up yesterday. They were supposedly in town Monday of last week, then somehow appeared in St. Louis on Sunday, and gradually made their way back here. We'll get to them eventually, next week, but here's two books from last week.
Harley Quinn #53, by Sam Humphries (writer), Lucas Werneck (artist), Alex Sinclair (colorist), Dave Sharpe (letterer) - Harley's not lined up with the arrow on the dial, so does she get whichever disaster the arrow points at, or the one she lands on herself? Either way, please no ear spider.
Harley is now filming dumb videos of herself to post online to make money to pay for all the damage she caused the city. This is taking a toll, since she has to be "wacky" Harley all the time to get the views that bring in the bucks. Minor Disaster is the daughter of Major Disaster, and frustrated she hasn't been able to make a cool disaster dial like her dad, opts to use what she's got to make all of Harley's videos go awry. You know, rather than deal with her overwhelming desire for her father's approval.
This is not how I envisioned this playing out. I expected it to be more comic, but it plays tragic, since Harley is trying to make this cash to repair damage she created (and presumably to avoid legal action and jail time). I guess I expected Minor Disaster to enjoy wreaking minor havoc, instead of being a frustrated, wannabe major super-criminal. More like the Prankster, or Mxy on his more playful days. It might play out in an interesting way (I figure Harley is going to try helping her tormentor through her issues at some point), but I'm not sure I care enough to stick around for that.
It's the same thing with the art, where I was expecting something more manic, maybe closer to Skottie Young, which is not Werneck's style at all. I think his works well for the quieter moments, where Harley is trying to do a video on her makeup, but keeps slipping into talking about the strain and exhaustion she's feeling, or when Minor Disaster is doubting herself. But during the scenes when Harley's trying to do her weirder videos, it could stand to be a little looser. Let the characters' expressions go more over the top. If you figure Harley is trying to play to the camera, give the people what they clamor for, she'd have to go that route. As it is, the Harley we see during the library stunt, or the aborted motorcycle jump doesn't seem all that different from how Harley typically is.
Giant Days #44, by John Allison (writer), Max Sarin (artist), Whitney Cogar (colorist), Jim Campbell (letterer) - Dang it Esther, the landlord said no nailing stuff on the walls! You're gonna lose the security deposit!
It is Valentine's time. Daisy is angry about, Esther is determined to somehow get a real relationship, and Susan is set on proving she can be romantic. Esther meets some dashing, wealthy inventor guy at an engineering talk she attends with McGraw, but breaks up with him for a bizarre reason, even by Esther's standards. Daisy has problems with an inconsiderate student on her floor, and Susan's attempts to be romantic don't exactly pan out (although charcoal is a good gift for McGraw), but that's OK.
I expected Esther's romance to last longer than half an issue. Granted, that was because I expected it to cause a lot of trouble for her and her friends, but it's interesting to watch her odd progression towards, whatever it is she's becoming. The interest in the sciences was a surprise. Susan not catching flack from McGraw for remaining mostly herself was nice. I'm still worried Esther is going to end up dating that Saffy girl, who appeared again this issue as one of the unhappy students on their floor. I keep expecting Emelia to show up again. She and Esther should still be in classes together.
Sarin has to draw a lot of characters with hearts in their eyes this month, and one girl on the first page who is sighing hearts. Seems like that might be a medical condition worth getting checked out. The panel where a heart smacks McGraw in the face made me laugh. I also love the variety of hairstyles people get, speaking as someone who still hasn't figured out drawing hair consistently. Although that one kid on Esther's floor has hair shaped like an onion.
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