I got through Read or Die: The TV Series back in April on my anime rewatch. It was pretty good. I appreciate the silly sibling stuff between the Paper Sisters more than I remember in the past. Then Mr. Joker showed his face around episode 15, and it was ten episodes of me groaning, "Just shoot the fucker, stop listening to his bullshit!" But they never listen.
Generation X-23 #3, by Jody Houser (writer), Jacopo Camagni and Marco Renna (artists), Erick Arciniega (color artist), Ariana Maher (letterer) - So that foul-up where Laura got resurrected during the Krakoa era with a full adamantium skeleton, instead of just her claws, never got undone? Poor quality control.The whole thing where the previous issue ended with X-Infinite saying Laura must be held responsible for two deaths is not really followed up on. Laura's alone in the infirmary, until some of those weird time shards show up, then vanish. So now Laura's got questions, and X-92's got a lead on answers. Which, predictably, point to X-Infinite, who is experimenting with some of Laura's skin that got scorched off.
As it turns out the kid's attempts to file reports that everything in the facility didn't work as well as they thought, Laura, Infinite and 92, escape. Infinite admits that, once the scientists figured out he was smarter than them, they made him help with their work. So all the other kids having multiple powers is his doing, and it's the old, a "Wolverine's healing factor could save them," bit. Well, at this point it's more like Laura's propensity for stabbing could save them.
With the apparently abrupt passing of Jacopo Camagni, I don't know if Renna's going to be the regular artist on the book going forward. If so, I don't know if this issue is representative of their work. I would figure they were working under a time crunch, since they probably weren't expecting to draw 13 pages of this particular comic. Here, at least, Renna's style seems a little simpler than Camagni's. Faces and bodies are more basic shapes, fewer little details. Might simply not had enough time for as much shading, because I feel like that's a big difference between the two. There's more gradation and depth to Camagni's pages.That said, Renna's art works perfectly well. The fight between Laura and X-Infinite is easy enough to follow. I'm not sure why one of the soldiers who attacked the facility is a giant, robotic crab-centipede-person, but it was a pretty impressive reveal. Got me to stop, blink, and wonder where the heck that thing came from.
Having concluded demons giving humans advice is not helpful, Frons takes the priest's recommendation of providing tools literally. So this week's client, Max, was given a chimp's paw, granting 5 wishes. Not a monkey's paw, mind you. No ironic comeuppance! But do I get a free frogurt with it? If you wish for one, I guess.
So after wishing for $10 million in an offshore account (the password to which he forgot), and an endless bag of weed and Adderall (which might have something to do with forgetting the password), Max starts messing around with people's free will. Making the girl he likes love him, making her kinks conform to his, for him to feel fulfilled. Stuff like that. But, as long as he doesn't try to make a sixth wish, he's fine.
Then he casually wished for them to not have to go into work and an earthquake knocked their office building - among other structures - down. I feel like Gudsnuk missed an easy joke there. When Max makes that wish, one of the chimp's fingers uncurls, and it isn't the middle one.
Despondent over another failure, Frons comes to the priest's church to aid in their relief efforts with a big sack of cash he. . .summoned from Hell, I think. Then he confronts Father Angelo, who he blames for giving him bad advice. Angelo either hasn't twigged to Frons being a demon, or is just jerking him around, but he claims to have found something that suggested fallen angels could be redeemed, and seems to be semi-related to Frons' idea of shattering souls to create something of pure evil. Except, you know, the flip side. Frankly, the idea of the soul as something you can chip pieces off of like some oversized ice cream cookie cake is maybe the part I'm having the most trouble with.
Oh, and the cop showed up at their office, looking into the disappearance of Wendy's family. And right as Frons' boss (Mammon) shows up. If somebody burned a roast I'm going to think I fell into an '80s sitcom. But no, in all seriousness, I'm really interested to see how Gudsnuk pulls this together with one issue to go. Interested and worried, since I actually like all these goofballs and I'm worried it's going to end badly for them. Especially Wendy, who did, you know, kill her asshole parents and her perpetually terminally ill older sister.



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