
There is a significant difference between Shalvey and Robinson's styles, since Shalvey's is a bit simpler. Not as many small lines to convey shadows as Robinson. Shalvey also seems to give the clothing more of a solid texture, as opposed to the look where the clothing appears painted on the character. Shalvey's work feels more old school, which could go along with how his two pages start. Hawkeye, Captain America, and Iron Man on the roof of Avengers Mansion, comparing notes, mostly getting along with a little chops busting going on. It's maybe more significant that it's happening during the daytime, since it's one of the only scenes that

It is interesting that those final pages start in the sunlight, but move into some seriously deep shadows inside the Mansion on the second page. So deep we can't discern any details other than the three characters and an Avengers symbol in the last panel. Which also happens to be the point when we learn Hawkeye's making a deliberate decision to lie to Steve and Tony, to protect everyone involved.
It makes me wonder if the change in artists was meant to change the reader's expectations. We see things are brighter, the art has less of a gritty texture to it, and we think everything is OK. The long, dark nights of not knowing who to trust are over! Hawkeye's going to mend fences, the Avengers will help out all those people who didn't really what was being don't to them, back slaps and camaraderie all around. Then surprise, Hawkeye's still keeping secrets, because while Jake, Emi, and the rest might trust him, that trust doesn't extend to the Avengers as a whole.
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