Did manage to pick up last week's comics. I opted not to get Real Science Adventures, but I found the other two books I wanted, plus I took a chance on a different book. Which ended up being a mistake in this case, but oh well.
Wynonna Earp Season Zero #1, by Beau Smith (story, writer), Tim Rozon (story), Angel Hernandez (artist), Jay Fotos (colorist), Christa Miesner (letterer) - I'm a little concerned about the guy in the back. Looks like one of those SS stormtroopers you'd kill in some vaguely horror-themed first-person shooter.
So when Wynonna originally left home, indulging her bad girl side, she met up with a group called the Alpha Team X, and they did a lot of stuff. And now someone named Keegan is trying to kill all of them to get something Wynonna has the key to. She's determined to find her old friends and help them. Her new friends are determined to help her, but are so far just arguing with each other about the best approach. I appreciate the novel approach of not having Wynonna have a huge heated argument about how she has to do this alone. She accepts pretty quickly they're not going to allow that, and is ready to move forward.
There's a lot more hostility between Agent Dolls and Holliday than I remember from the mini-series I read last year. I don't know if these mini-series are reacting to events from the TV show (which I've never watched) or something else. Something may have happened to ratchet up the tension. Also, at the point when the two begin arguing, I can't shake the impression the word balloons are ordered wrong, or attributed to the wrong character. Holliday asks Dolls opinion and gets this response:
'In my experience, if you fail to prepare. . . prepare to fail. It's always better to have a plan and not need it, then to be without one and need it. Sounds more cowardly than common sense. Do those words mean anything to you?' Which prompts Holliday to respond, 'Common sense? Hhmpf. . . I coughed that up with my lungs years ago.'
It's not just me, right? That exchange tracks strangely. Holliday hadn't mentioned common sense before Dolls did.
It's a very chatty issue, lots of talking, since there's so much backstory to lay out. Maybe Smith and Rozon decided to get it all out of the way at the start, but I doubt it.
Hernandez doesn't get a lot to do on the art side. Mostly people standing around talking, or panels of just people's head or faces as they talk. Seems very good at drawing people scowling or otherwise looking unhappy. There are a few panels the expressions don't match what I would expect under the circumstances. One where Wynonna has this light smile on her face as her friend is bleeding out on the pool table. It didn't seem like his comment was amusing enough to prompt that reaction at that moment.
It's an open question if I'll buy the second issue or not.
Tinkers of the Wasteland #1, by Raul Trevino (writer/artist) - I have been a few places where a battle-scarred Mini Cooper loaded with chickens wouldn't qualify as unusual.
33 years after an apocalypse brought about by a meteor swarm, three kids - Milla, Splitter, and a third one I don't know the name of - are trying to get some dinner. By stealing some chickens from the tower fortress of, sigh, King Queer. The theft is helped by a meteor knocking over the tower and freeing the chickens, but they're observed by King, and will probably have to drive for their lives next issue. Also, one of the chickens swallowed a piece off the meteor, not sure what that's going to do.
I like the art, it reminds me a bit of Jamie Hewlett's, probably because Splitter looks a bit like one of the Gorillaz. The faces are expressive without an excessive amount of linework, and the shading is mostly a light touch. Trevino saves the heavy blacks for the meteor and that one particular chicken, as well as Splitter when he's chasing it. He would be a terrifying sight to a chicken. The design of the settings and outfits aren't anything unusual to this type of story, but they look good.
There is the issue of the King. I can't decide how bothered I should be by him. I know "queer" is a term some people use for themselves, while others would find it offensive to be referred to with it. I assume the King took the name for himself. He's dressed in the typical S&M gear bad guys wear in this post-apocalypse stuff. He wears some make-up, and has a lackey that serves as a make-up artist. The lackey's arrival somehow unnerves Splitter more than the King. He referred to Splitter as "dear" once, but at least doesn't seem to be falling into the cliche of the cross-dresser that's a child predator. It may be too early to tell, but I had a reflexive reaction when I saw the character. If the King is meant to be a frightening figure, it hasn't played out that way so far. But he doesn't seem like he's meant to be a comedy figure yet, either.
Which brings us around to one other issue: I think the book is supposed to be funny, but I'm not laughing. Milla and Splitter spend most of the issue yelling at each other about plans or lack thereof. The third kid vanishes for half the book, then shows up at the end having collected a bunch of helmets for some reason. He just likes helmets, I guess. Maybe more humor will come in subsequent issues, once the story finds more traction? Assuming I get the second issue, which is up in the air.