
I kind of miss the interludes in the past. Maybe because they were a welcome escape from anything even remotely Dark Reign related. This is still free of that, and that certainly helps, but for an issue that I thought was supposed to be about learning about Osborn's plans, they learned precious little. Well, we learned Bob is entirely too attracted to sea anemones, but I don't think I needed to learn that.
Gabriel Hardman's art is nice, but I feel like the coloring style is washing out some of the details.

There are some moments I laughed at. Wade's hatred for Plexi-Glass, and how he found out who placed the ad that set him up. I guess Deadpool picturing the Punisher as various tough guys types is going to be a recurring theme in this issue. I can't figure out what Frank did to blast Deadpool out the window like he did. I know it involved the Grim Reaper's scythe, but I'm not sure what.

This book is not exciting me as much as I would like. I don't know why precisely. I don't feel much connection to any character besides Blink, and thus far, there doesn't seem to have been much opportunity for character moments. I would like to know why things are different from what Blink was expecting, and I like Espin's art, but I'm not sure whether that's enough to hang around for much longer.

Well, if Phyla's trying to serve Lord Oblivion and bring about the end of everything, she's being a subtle as a brick to the head about it. Oh well, maybe being obvious about it is the only way she can try and defy her new responsibility. I don't know what to make of Warlock turning purple. Purple + Adam Warlock = Magus, but that raises the question of who's in that coccoon the Church has. Oh crap, don't let it be Goddess. Magus is bad enough, but I don't think even Abnett and Lanning can make me care about the architect of Infinity Crusade. Note to Messers. Abnett and Lanning: Please do not take that as a challenge.

So that's nice. A symmetric story. Quan saved K'un-Lun by bringing hundreds of people their to replenish the city after the plague. Now Danny brings Quan, and all the people ever thrown into the 8th City back home to. . . make K'un-Lun embrace their past and move forward. Rather than banishing threats, rehabilitate them. Something artwise I can't figure is Juan Doe. I get the two pages he drew, since they take place in the past, but not the fact he was colorist for two pages. Especially since they aren't the two pages he drew, but two of Travel Foreman's pages. It's interesting because I think his coloring eliminates some of those little lines that Foreman likes so much, which I tend to consider a good thing.
And that's it for today. See you tomorrow.
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