I don’t know that I buy the argument, especially when Murphy
admits the Giants lost the pennant to Chicago because of a game that was
declared a tie and then replayed due to a technicality. That being the
“Merkle’s Boner” game, where the Giants drove in the winning run in the bottom
of the 9th, but Merkle, who was the runner on first, never bothered
to touch second before running to the clubhouse. So he was out on a force out,
but with the crowd all over the field, there was no hope of getting the game
going again before dark, thus a tie, and the game being replayed, and the
Giants lost. That just seems like kind of a stupid thing for THE GREATEST
SEASON EVER to hinge on. I guess that was one of the charms of old-timey
baseball, like only having two (or one ump) so it was easier for players to
pull a fast one, or fans sitting in the outfield if there weren’t any more
seats in the bleachers.
That said, it is an entertaining book, though Murphy has
several chapters with additional sections where she discusses some concurrent
story of wider range, then ties it back to baseball. Usually this takes the
form of pointing out baseball’s tendency to make claims about the game, without
investigating whether they’re true, or pointedly ignoring the truth when they
aren’t. So talk about vice and political cronyism in Chicago, tie it to not
only some of the questionable deals team owners made, but to baseball’s
contention it is a completely honest, with no possibility of games being fixed.
The game is honest because they say it is. Or a discussion of baseball’s
“universal” appeal and acceptance with regards to segregation gets tied into a
look at how things in the early 20th Century were getting steadily
worse for African-Americans.
Some of the digressions make sense, some don’t. You could
safely skip them if you just want to read the baseball parts. Murphy seems to
be enjoying herself. Her tone shifts between amused and exasperated by the
players’ and managers’ chicanery and complaining, and you can practically hear
her roll her eyes at some of the protestations of innocence.
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