Friday, March 15, 2024

What I Bought 3/13/2024

Welp, did not go to a comic convention last weekend. Did try a gaming store, but it was more collectible card games than video games. Also, they had a box of comics, but it was basically just The Walking Dead. Anyway, I'm typing this Thursday, waiting to see if a tornado shows up. Hopefully not!

Power Pack: Into the Storm #3, by Louise Simonson (writer), June Brigman (artist), Roy Richardson (inker), Nolan Woodard (color artist), Travis Lanham (letterer) - Storm gambling the Brood are terrified of the color blue.

Franklin's apparent death is immediately revealed as a fake-out. The ship's just caught in a Brood tractor beam, and Franklin's body gets wrapped in some fiber stuff that would keep him asleep, if, you know, he wasn't asleep already. So while Franklin goes back to Earth and brings Storm in the ship, the Pack stage a rescue attempt.

The rescue is going pretty badly until Storm shows up and takes advantage of the large amount of lightning available on the alien world's atmosphere. The kids are free, but the storm goes out of control and causes the Brood ship to crash and explode. So for the second time since the end of last issue, the Power kids think someone in their little group has died. At least this time, we already know Djinna is a prisoner of her aunt, along with Franklin's unconscious body. Still, that feels like going to the same well too quickly.

Kofi insists on trying to save Djinna himself, but the effect of teleporting that far makes him easy prey for Mayhem. And the Pack and Storm are back on the alien world. So it feels like all that's changed is who is a hostage, and who's holding them. Mayhem seems to have plans to use the kids' powers for herself, just like the Brood. It's just that her plans don't involve planting embryos inside them.

One thing I notice is how quick all these kids are too try and take the blame for things when they go wrong. Alex tries to blame himself when they think Franklin is dead. Kofi thinks it's his job to rescue Djinna. Some of it is these are superhero comics, so the characters are going to care about doing the right thing (and Kofi's dad clearly places a lot of expectations on him as a future public figure.) But I'd expect kids to deny responsibility at least some of the time.

Black Widow and Hawkeye #1, by Stephanie Phillips (writer), Paolo Villanelli (artist), Mattia Iacono (color artist), Joe Sabino (letterer) - That arrowhead looks weird.

Hawkeye's on the run from a lot of people, for killing a Russian Foreign Minister. Mockingbird's being watched too closely to help, but the Black Widow's not. Didn't realize those two had become pals, but why not? All superheroes are pals now. 

By the time she finds the guy released from Russian prison to kill Clint, he claims he already blew Hawkeye up. Wrong, but unfortunately there are other killers with the professionalism to try and finish the job. Just not before the Widow shows up. She tries to make Hawkeye leave Madripoor, but he refuses. In fact, he doesn't want her involved at all. So he's determined to solve it alone, since he's being hunted. Because he's stubborn and arrogant. Natasha's going to stick around, figuring he can't do it alone. Because she's also stubborn and arrogant.

At any rate, Clint's explanation is phrased in such a way as to imply he's guilty. I figure it's another fake-out where he was watching the press conference, and saw someone who looks just like him release the arrow that killed the guy. Or the whole thing is faked footage. A.I. generated crap that nobody's debunked for. . .reasons. Ominous reasons.

So far, the fact the Black Widow has a symbiote is something I can largely ignore. She uses it to get information - via symbiote spiders crawling into the guy's brain? - and to restrain one of Hawkeye's attackers. Which makes it basically a tool. Like her bracelets. I can deal with that. This "give everyone a symbiote" thing is still stupid.

Villanelli seems to have a lot of panels with close-ups on things. Clint's bow, Natasha's hand as the symbiote reforms around it, a mechanical hook arm that clasps Hawkeye's ankle. Sometimes they're smaller panels set against the backdrop of a larger establishing shot, and sometimes they're one in a sequence of rapid-fire panels. It works as a point of emphasis.

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