I wasn't in the totality of the eclipse last week, but that's alright. The one several years ago swung right through town, so I didn't even have to go anywhere then.
It's Alicia as a private detective, trying to find the missing egghead Professor Richards on behalf of his main squeeze, Susan Storm. Ben (in his human appearance) works for/with Alicia. As either her eyes, or muscle, depending on the need.
The story follows the usual pattern of dead-end suspects. Johnny as the dissolute brother who is in debt to the local nightclub owner (role filled by the Mole Man.) Namor as an honest, but arrogant, cop that's hung up on Sue. Gomez doesn't shift his art style much beyond adjusting character's looks and fashion to match the motif. Maybe softens the lines around Sue's face, makes the eyes a little bigger to fit the "dangerous beauty" role. Johnny still has that terrible mustache, though.
Arbutov colors most of it in grey, with certain objects in color. Sue's dress, Namor's uniform, the lights and door of Mole Man's club. I don't really get the rhyme or reason of the choices of what to color. Why Ben's cup of coffee, or the seats in the diner where Alicia questions Johnny?
The whole thing ends up being the result of a Cosmic Cube falling into the hands of just about the last character you'd expect to get their hands on it. No, not Willie Lumpkin. No, not HERBIE. Just stop guessing! Reed turns out to be shielded from the effect (how is Sue's force field holding when she doesn't even know she can do such a thing?) to guide Alicia to it, and she undoes what was done. Though, in noir fashion, she does it knowing it'll erase her world, but that she's already lost a key part of it, so this is the least amount of losing she can end up with.
Ms. Marvel: Mutant Menace #2, by Iman Vellani and Sabir Pirzada (writers), Rob Di Salvo (artist), Erick Arciniega (color artist), Joe Carmagna (letterer) - The cover list Di Salvo as artist, but the interior still says Godlewski. Oh Marvel, when will you stop being a clown car of a company?Lila Cheney grabbed Ms. Marvel because Lila stupidly made a contract with Mojo, and when she didn't accept him rewriting the terms of said contract, he abducted her most loyal fans. Kamala was the only X-Man she could find, so here we are.
The rest of the issue is Kamala posing as a new member of Lila's group to keep Mojo occupied while Lila looks for her groupies. This starts with Kamala doing some truly terrible mugging for Mojo's cameras. Then, when it turns out the youth demographic really likes "Chord", Mojo throws her into a million different things while Lila's still trying to figure out how to detach her fans from some gizmos they're hooked into which make them, 'real-life engagement bots.'
I have absolutely no idea what that means. That they're forced to watch stuff to falsely pump up viewership numbers? Either way, Lila gets them loose eventually, while defeating a Spiral clone in a fight (and I call bullshit on that), but Mojo drugs her with something that tamps down her powers. Not enough they can't escape, but enough she can just barely send Kamala back home, where Red Dagger is waiting.
OK, Kamala has a space adventure. Fine, space opera is an X-tradition, and so is dealing with Mojo. But what was the point of this issue? We're halfway through the mini-series, and there was no progress on any major plot points. Not the cause of Kamala's weird spasms, not what the ORCHIS doctor lady is up to. She's getting shipments from ape-scientists (as in apes who are scientists), but if I'm meant to know who those apes are, I don't. Not the fact Kamala's friends think Ms. Marvel's a phony because they were mindwiped with regards to Kamala being Ms. Marvel and having been resurrected.
Literally any of that - Bruno helping Kamala test her powers, difficult conversations with Nakia, Dr. Gaiha actually making an overt move - would have been a better use of 20 pages than this.
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