My dad's dog is getting better behaved. It certainly helps to not be constantly having to tell her to get off me. Though she still doesn't do great at sitting still when you try to pet her. Hard to pet her when she chases her hand around with her mouth.
Clint tells the Natasha to leave, she refuses. He insists he killed the foreign minister (who he was tailing on some covert job), both she and the symbiote know he's lying. The symbiote attacks him, Natasha reels it in. Hawkeye acts like he doesn't recognize a symbiote when he sees one, but also comments that it seems jealous he knew Natasha first. Well, Phillips has the "cocky and kinda dim" aspects of his character down.
Hawkeye gets hit with a poison dart by someone in an old helmet. The shooter escapes because Natasha makes the symbiote deal with the poison, which may or may not have worked, but offers a chance for a trip down memory lane. This flashback actually started last issue, when someone sent Snapdragon after Natasha not long after she defected, and Hawkeye got smacked around trying to protect her.
I don't know who the mastermind villain controlling (and killing as a precautionary measure) the shooter. Name is vaguely familiar, but I guess he's another ghost from the Black Widow's past. What a shocker.
Villanelli softened his lines a lot for this issue. Definitely compared to the Captain Marvel mini-series he drew last year, but even compared to the first issue, the faces of the characters look a lot softer, less sharply defined. Maybe Villanelli didn't ink himself as strongly, so Iacono's colors are overwhelming the lines? It gives things a bit of an unfinished, smudged look.
I could argue it works for all the murkiness in the plot, between Clint's insistence on his guilt and the awkwardness of their past history with the added mess of the symbiote. But if that were the case, I think the flashback's art should be more distinct, sharper defined as a time when things were clearer between Nat and Clint, which isn't the case.
Brynne's on assignment in the Baffin Islands, trying to capture photographic proof of a pair of nesting endangered bird. 6 weeks in, she's got a lot of pictures of snow and a few of a hunter. Then the mountain climbers show up. We don't know why they're there, because what we see is always through Brynne's camera, and it's set up for long shots. When she does zoom in on the photos, they're blurry and there's no audio, so it's all conjecture on her part that "Blue" looks frightened at one point, or that they started fighting at the summit.
There's also some sort of messy business in Brynne's backstory, involving something called "Arson Media" and blood splatter. She also seems to have some self-worth issues that are hinging on her getting these photos of the endangered birds. How that's going to factor in going forward, I don't know. I also don't know if the person watching Brynne through a sniper scope at the end of the issue is the same hunter as early, or some new problem.
Izzo keeps us at a distance from everything, even Brynne. There are very few close-ups on her, and when there are, she's usually outside with her face covered. Inside her base camp, there are a lot of panels looking over her shoulder the shots the cameras got. If the focus is on her, Brynne is usually looking off to one side, and our view is from at least a few feet away. Nothing close, nothing that's being said directly. Everything's inference and conjecture, which probably contrasts with her trying to get this definitive proof the birds nesting. That has to be a sure thing or it won't be accepted.
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