Tuesday, July 07, 2026

The Set-Up (1949)

Robert Ryan plays a boxer. Not a great one, not a title holder. A small-timer, who fights once a week in a cramped gym, with a ring so small it sometimes looks as though a fighter could stand in one corner and connect with their jab when their opponent was in the opposite corner. His wife (Audrey Trotter) wants him to stop, but he won't. Not yet. But tonight he's facing an up-and-coming boxer, Tiger Nelson (Hal Baylor), and Ryan's manager and trainer each took money for him to lose in the 3rd round.

We missed the first 30 minutes finishing up Something Big. With this movie coming in at 73 minutes, that's a considerable chunk. By that point, Ryan's in the tiny locker room the collective group of challengers for the night are sharing, and his wife is roaming the neighborhood with a ticket to the fight, silently debating what to do.

The film switches between those two threads as each of the other fighters heads to the ring. We don't see their fights, just the aftermath. One fighter comes back bruised and with a swollen eye, shaken and being harped on by one of the trainers or medics. Another is carried in unable to remember who he is. Through it all, Ryan's sitting and watching and trying to prepare himself. Telling the trainer needling the loser to knock it off, nodding along with the fighter who is sure he can win, because all it takes is one chance. 

Meanwhile, Trotter is moving, seeking a distraction but finding reminders of what she's avoiding everywhere. She doesn't talk much, just walks, and wrings her hands, and the longer she walks, the fewer people are around. Until she's alone on a bridge, watching trolleys pass by on their way someplace else. Does she stick with a guy who keeps going out to get his brains pulped, or leave? Ultimately she's got to make that choice.

The fight is a wild thing. Ryan ignores his trainer's advice to stay and at a distant and wades in, throwing (and taking) punches like Rocky Balboa. It doesn't look good. The kid is landing a lot more punches, though my dad noted that when Ryan lands a hit, it always staggers the kid. But the ref is either bought, or just uninterested in enforcing the rules. Ryan takes at least two low blows, with no reaction. The kid rakes at his ears at one point, and later, when he's sent Ryan to his knees, doesn't retreat to a neutral corner. Instead he hovers, and throws another punch as Ryan starts to stand.

Sometimes when Ryan's knocked down, the camera maintains its position outside the ropes, but at least one time when he's flat on his back, it switches to looking down at his face, like it's the ref counting him out. Although the shot I really liked was right before the start of either Round 2 or 3. His trainer and manager have stepped back, but Ryan's still on the stool, leaned against the corner post, solid black background. He's all alone, more than he knows, and the only way out is forward. The view switches to looking over his shoulder at his opponent, already up on his feet, hands raised, corner full of people that have his back.

During the fighting, the camera also keeps showing us certain members of the crowd. A blind man who has someone describe the action, and at one point is cheering for the kid to closer Ryan's other eye. A middle-aged woman shouting for someone to "kill him!" She doesn't care who gets killed, as long as she sees it. A younger guy that gets really into it, throwing jabs and flinching like he got punched. A heavyset guy who is eating something different each time we see him. Early on, most of them are scornful of Ryan - we hear someone in the crowd call him "grandpa" - but they're ultimately just as happy to see him lay out the kid.

(I joked with my dad the middle-aged woman was really yelling at the vendor, telling him to keep feeding that guy until he popped.)

And there's the gambler, with his irritating lady who makes big bets because she knows the fix is in. Too bad for her nobody told Ryan until the fight was already going. Too bad for Ryan, the gambler won't accept that explanation. It's a quick shift, Ryan back in the locker room, getting congratulated by the medical staff, all weary smiles as he wonders where his guys are. And then the gambler walks in, the medic leaves, not in a hurry, but he won't meet Ryan's eyes.

Which is when it all starts to hit Ryan how bad this is going to go. He was ready to walk into the ring and face a boxer who was supposed to be younger, faster, stronger, better than him, but he's not ready for this. Now he tries to run, but just like in the ring, there are no other exits. He's got to walk forward into another fight he's not going to win.

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