Friday, July 16, 2021

What I Bought 7/10/2021 - Part 1

So, three books last week. The two for today are both in the penultimate issue of an arc. One of them does a lot more with that than the other.

Runaways #37, by Rainbow Rowell (writer), Andres Genolet (artist), Dee Cunniffe (color artist), Joe Caramagna (letterer) - I'm really not sure what everyone is so shocked about in the context of this issue. Although Nico only looks mildly concerned at best.

This issue is almost entirely silent for 16 pages. Then the last two pages have a bunch of dialogue. Yes, that only adds up to 18 pages, because that's how many pages there were in this comic. Swell, right? I think that's the second time this year they've stiffed us on pages with an issue. And Genolet is a good artist, the work is pretty and all. Emotions are clear, even if I'm not always clear on why exactly they're having that emotion. Still, it's not so great it demands to be seen sans any actual talking.

So what did happen? Nico is frustrated about her fight with Karolina about letting a genie steal part of her soul when she uses the staff. Which is, to be clear, a stupid thing to agree to, but they seem to make up. Although some of Karolina's people show up looking for her, whatever that means. Present Gert and Victor find Future Gert and Present Chase making out, and Present Gert is not happy and runs off. Is she not happy about how she turns out, or that she seems fated to end up pining over Chase?

Admittedly, that would be a rough realization to have, but I don't know for sure because nobody says anything. Oh, and Future Gert cries while hugging Victor, which probably doesn't bode well for him.

Gib found someone to offer him sacrifices. Relax, it's cats, who bring him mice. Mice which Doombot must then vacuum up, and why doesn't he build something to do housecleaning? Wouldn't that be beneath a Doom? Also, Alex Wilder is still around, which is probably bad news.

I don't see why this issue needed to go Silent Era, and if you're going to do that, then fucking commit. Don't half-ass it.

Jenny Zero #3, by Dave Dwonch (writer/letterer), Brockton McKinney (writer), Magenta King (artist), Dam (color artist) - Seeing your emotionally distant and deceased father figure in cloud formations is a common coping mechanism.

The government agency is becoming increasingly evil, as they try to intimidate Jenny hotel heiress friend, to no effect. But, their telepath pokes through Jenny's uncle's mind and figures out where she went. And their evil leader orders them to either get Jenny to work for them, or bring her corpse back so they can incorporate her DNA into their stormtroopers. I feel as though that development happened extremely quickly, but to be fair, the comic has largely been focused on Jenny making an ass of herself for two issues as an avoidance technique, so there probably wasn't an opportunity.

Anyway, Jenny's busy tracking down an old associate of her father's, who tried to approach her about training years ago. It's a middle-aged lady who is the master of an entire temple, and she's gonna teach Jenny some drunken master stuff. Well, Jenny's a drunk, so she's halfway there! I think they get approximately one day of training in before the government dorks show up and there's a big fight. And once Jenny gets involved, it's really a "big" fight. I'd see myself out, but this is my blog, and my ass has fused with the chair.

Somewhat abrupt shift into cartoonish supervillainy by the mostly unseen Action Science Police aside, there's actually several bits in here that made me laugh. Ms. Sheratin deciding to call the terribly named Alpha Major "Chad". Aiko's ways of testing Jenny. First, knocking her flat on her ass. An oldy, but a goody. Then throwing a cup of tea at Jenny to catch, only for Jenny to punch it, and both of them being very confused by the other's actions. The dog is as amused by it as I am.

The best might be when "Chad" is trying intimidate Aiko and he snaps his fingers, and nothing happens. You turn the page and all his guys are still down the hill waiting because 'The snow is really giving us hell on the comms', so they couldn't tell if that was a signal. Idiots trying to look cool and failing miserably will always be funny. At least, I hope so. If not, this world may not be worth living in.

So, is the fin on the head for these Ultraman types always a natural growth like it is for Jenny, or is it usually a helmet, like the Rocketeer? I'd always assumed the latter, that it was something added to the costume to look cool, but Jenny actually has a headfin, because either her faces uniform didn't have his helmet, or she opted not to wear it. It looks fine as is, although it's kind of weird how much it seems to cause King to flatten out Jenny's nose when drawn from straight ahead, versus in profile. The bridge kind of disappears.

King does a really good job drawing "Chad" to look like a complete ass. Although I'm not sure I've seen a fictional guy with pink hair who wasn't. This doofus, Quentin Quire, there's probably some others I'm forgetting, but those two are strong date points in favor of my hypothesis. He's wearing a purple band-aid under one eye at the beginning of the comic for no apparent reason. He's not wearing it when they attack Aiko's temple, and there's no noticeable scar. So it's an affectation, and an incredibly dumb one at that.

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